When I draw underwater scenes, I use what's around me as inspiration. I'm on the east coast of Florida, so my ocean is the Atlantic. Sure, other oceans might be more colorful or exciting, but one of my mottos is to be happy with what you have and make the most of it. So you won't catch me dreaming about far away seas, you're more likely to find me chasing all there is to see in the one that's right here. When I need to know what seaweed or a coral looks like, I run off somewhere nearby to see what that thing looks like when it grows here. I was out on one of the local reefs and felt like sharing some of the shots. This reef is only in about 20 feet of water, so the light is usually pretty good and it makes things look nice. Being underwater is like being at a party where no one wants to talk to you. Except instead of being uncomfortable it feels totally right. Fish just swim around doing their thing. When they pass each other they don't make awkward comments to each other about the weather or their outfits, they keep on swimming. There's a flow to it all and once you get used to it, it's really relaxing. Actually, the only times I've ever been uncomfortable underwater were because there were big fish that were overly interested in me. That was a little strange. Anyways, here are some things you'll see on the reefs in Florida.
0 Comments
I mentioned a couple times here and there that there was a special project I was working on during the past few months. Well it's happened now and here it is! It's a bamboo iPhone case made by Grove with my "Feathers" design engraved in it. In case you don't know about Grove's products, they make one of the best, if not the best, iPhone & iPad case out there. They're all made by hand in Portland, Oregon. The cases are beautiful, feel like quality and are eco-friendly as well. It was such a good experience. They don't just make and awesome product, they're an amazing bunch of people as well - really nice, really good at what they do. The whole process went so well and it was such a pleasure to be involved (even in in a small way) with them. If you need a case, this is the place to go. Here are some more views of the case. The design is laser engraved into the wood. It gives it a nice texture and it feels good in your hand. I was also surprised how thin and light it is too. I'm generally not a fan of phone cases because they make the phone too awkward, but this one... This one is right. This is one I will happily use. Still working on wooden canvases. I'm enjoying using my hands more in making art. Obviously working in photoshop requires hands too, but somehow it's not the same. It's nice to put a pencil on a surface and whatever mark it makes is the one you're stuck with. No erasing, line smoothing, adjusting. It's honest. This is a series done on pieces of balsa wood. I also have a surfboard made out of balsa wood. It seems like there's a connection between sea & summer and balsa. So this series is a happy, bright set. Simple patterns and warm summer colors. They're about 4 x 6 and are in my Etsy shop. Each one is matted in a bright white mat. I did a design that I submitted to Threadless a couple years ago called "Best Knot Sail Here." Part of it was a happy whale character that I really liked. A lot of times I'll have these characters that are cool on their own, but need to be developed more to make a good design. This guy was one of them, and I didn't know what to do with him. So I tried painting him in watercolor in my next wooden block piece and I'm really happy with how it turned out. I'm slightly less happy that I can't take a photo that makes it look as good as it does in person... but that's how it goes. Still, he makes me want to do a series of sea creatures. I'm going through my sketchbooks to find all the other abandoned critters from the past. "Depths Below" 8 x 12 Watercolor and graphite. It's been difficult to get real quality computer time lately. So more than ever I've been relying on traditional means of making art. This is cool because it's gotten me to try something I've wanted to for a long time: painting on wood. It's one of my favorite looks, I love when the wood grain shows through the image. It just gives it an extra dimension, makes it feel warmer and somehow more "real." I've messed around with wood painting in the past, but not seriously or for any length of time. I have an attention problem. Something that makes me avoid sitting down and really working on a thing... Once I start, I'm happy, it's just before that that is difficult. There always seems to be something more fun to do... Anyways, here is my first ever real attempt designing on wood. I found these pre made wooden blocks at the art shop. They just under an inch thick, so they stand on their own and don't warp the way wooden sheets from home depot sometimes do. It's simply called "Feathers" and is done in graphite. Toolsies.com is a really fun site that allows you to get to know artists by seeing the tools that they use in their craft. I think it's a great concept and I was so happy to be featured on it recently. Below is a picture of my stuff, but if you want to know more about each one and what it means to me, you'll have to read the article.
I spent a really beautiful evening at the beach last week. Winter is finally over and Florida is getting back to that topical heat that I love when I'm in the ocean. Hot sun above, turquoise water all around, on my board - one of the best feelings ever. The water here in south Florida is often so clear you can see everything on the bottom too and well, it's just amazing. I love it. So on this really mellow night last week I went out as the sun was setting and everything was beautiful. The waves were really small, but me and my longboard are good with that, and I got back that happy feeling I've been missing all winter. Since that feeling is directly responsible for a lot of my drawings and style and such, I thought it might be worth sharing. When I'm stuck on something or can't draw a thing, spending some time in the ocean clears it up pretty well. Looking forward to a long summer, full of art and surf and warm sea. In making this piece I got kind of attached to the characters. I really started to feel for them, think about how they struggled to get through their lives, living in the harsh conditions that they do. And I spent way too much time staring into the porcupine's eyes. So as a result, I really like this design. In a way it's a lot different from my normal style, which usually focuses on water. This is all about what happens when that water is gone. I'm happy to say it's available now in my shop.
Story: A little while ago a friend texted me "Thought of you when we read Isaiah 34:15." Huh? I was confused. And a little worried what they had read in the Bible that made them think of me. Had I done something wrong? It turned out that this scripture mentions the "nightjar." I didn't know what that was, but my friend told me it is an owl-type bird with big beautiful eyes. She suggested it as a subject for another one of my bird drawings. It was a really good idea, made even better by whats written in the paragraph surrounding the mention of the nightjar. Beautifully descriptive language of destruction... Isaiah 34:9-15 And her torrents must be changed into pitch, and her dust into sulphur; and her land must become as burning pitch. By night or by day it will not be extinguished; to time indefinite its smoke will keep ascending. From generation to generation she will be parched; forever and ever no one will be passing across her. And the pelican and the porcupine must take possession of her, and long-eared owls and ravens themselves will reside in her; and he must stretch out over her the measuring line of emptiness and the stones of wasteness. Her nobles—there are none there whom they will call to the kingship itself, and her very princes will all become nothing. On her dwelling towers thorns must come up, nettles and thorny weeds in her fortified places; and she must become an abiding place of jackals, the courtyard for the ostriches. And haunters of waterless regions must meet up with howling animals, and even the goat-shaped demon will call to its companion. Yes, there the nightjar will certainly take its ease and find for itself a resting-place. There the arrow snake has made its nest and lays [eggs], and it must hatch [them] and gather [them] together under its shadow. Yes, there the gledes must collect themselves together, each one with her mate. I like neutrals, it's a fact. Color doesn't scare me, it's nice, but I don't want it around all the time. So it's not surprising that I keep the pillows I make pretty neutral in their color schemes. Lately though, I've added something every so slightly interesting - pattern. Recently I found several black & white patterns that complimented each other so well I decided to use them as the backs for a set of 3 owl pillows I was making. Here are those owls. And here are the backs of those owls. Black & white graphic fabric. Fun to look at the closely and enjoy the patterns, but still really neutral from far away. I have to admit, I love this little owl family. They're like grown up dolls. "What? No, I don't have stuffed animals anymore! This is a very adult thing! I'm decorating!"
Here is a little step by step look at the making on one of my latest pillows. I didn't realize how much I would like drawing on fabric, but it's really fun! With just about everything I do, there's usually an initial sketch. Even if it's a drawing, I like to get the overall layout down quickly, so I'll draw it out and then go and re-draw it somewhere else when it's all planned. This photo is good because it shows how important it is to have all your supplies laid out. Coffee, snacks, sunglasses for some reason. I think this day they had the vanilla bean scones = awesome. Those thing are so good and they almost NEVER have them. Don't know what the problem is. If you know a Starbucks that carries them regularly I'd love to know about it. Anyways... So in this case I was drawing on a white tee. I like to use vintage fabric, but this was a new shirt. The fabric gets stretched over a board and pinned down and I get to sketching. Should have done more progress shots, but it only occurred to me halfway through, so this is what you get. It took maybe 3 hours to draw the whole thing. I like to be picky about shading and things. And I'll draw over the same line probably 10 times until it's the thickness and texture I want.
My original plan was to have the pillow be the shapes of the owls, but I sewed it up that way and the seams weren't laying right. It was passable, but not really nice, so I took it all apart and made it into a square shaped patchwork pillow instead. Doing the patchwork was pretty involved, but I think it came out great. And that's the story of how this pillow was made. |